Journal Articles

2022 (forthcoming): “Performing Assembly as Political Theatre: Split Britches’s Long Table”. Dialogue, Performance and the Body Politic in the Twenty-First Century. Eds. Ondřej Pilny and Clare Wallace. Literaria Pragensia.

2020: “The Open Constructed Public Sphere: Aeschylus’ The Suppliant Women in a Version by David Greig”. Special Issue: The Public Place of Drama in Britain, 1968 to the Present Day. Ed. Mary Brewer. Humanities 9 (1): 21, pp. 1-15.

2019:  ‘“Who Would Disagree that in a World of Trump and Putin and Boris Johnson … Brecht Is Not the Theorist and Playwright of Our Times?”: Bertolt Brecht’s Influence on David Greig’s Work’. The Journal of Contemporary Drama in English 7: 2, pp. 242-58.

2016: “‘That Space’: Across Text and Performance in Suspect Culture’s One Way Street”, Platform: Postgraduate Journal of Theatre Arts 10:1, pp. 29-52.

2016: “Zāhir and Bātin: An Interview with David Greig”, Special Issue: David Greig: Dramaturgies of Encounter and Engagement. Ed. Jacqueline Bolton. Contemporary Theatre Review 26:1, pp. 88-96.

2012: with Dilek İnan, “Combining the Epic with the Everyday: David Greig’s Dunsinane”, International Journal of Scottish Theatre and Screen 5:2, pp. 56-78.

2012: “The ‘Polethics’ of the Mediated/tized Spectator in the Global-technologized Age: David Greig’s Theatre”, Oxímora 1:1, pp. 53-76.

2012: “Intervention of the ‘Sensible’ in the Globalized Society: David Greig’s ‘Aesthethics’ in The American Pilot (2005)”, activate 2:1, pp. 1-16.